2019 Outlandish, Jo Clement and Damian Le Bas (New Writing North with Arts Council England). Illustrated by W. John Hewitt.
‘Inheritance’ and ‘Haunt’, The Rialto, (Summer).
2018 Poems After The Blaydon Races, The Shipley Art Gallery Centenary, (Gateshead Council with Tyne and Wear Archives and Museums). Editor.
‘The Bull’s Shadow’, Mythologies, (Indigo Dreams).
2017 ‘Manes’, Steps in Time smartphone application, (Newcastle Centre for the Literary Arts).
‘Lolcatz’, What She Knew: Writers Respond to Lydia Davis, (Papaya Press).
‘Wonderful Fish’, Inspiring Futures, (Indigo Dreams).
'Angling', Fishing for Answers: Angling and the River Tyne, ERSC, Northumbria University.
‘The Impression of Water’, Printmaking Today, 100th Edition, Vol. 25. No.4, (Winter).
‘Wood Picture’, Birmingham Journal of Literature and Language, Vol. 7, (Feb).
2016 The Walk Round Guide to Holy Island, poems by Jo Clement and drawings by Alexia Mellor, pamphlet for Northern Landscapes: Picture Poems exhibition, (Newcastle Poetry Festival, 2016).
2014 ‘Stores’, Write Around the Toon, (Newcastle Centre for the Literary Arts).
‘Receiver of Wrecks’, The Ofi Press, (Issue 38).
‘House Sparrow’, In Flanders Fields, (Forward).
‘Footing’, Butcher’s Dog, Issue 4, (Autumn).
‘Three Poems’, The Black Light Engine Room, Issue 10.
‘Input’, Words to Birds, Digital Content, New Writing North.