2020    Moveable Type, (New Writing North with Arts Council England). 
            Witches, Warriors, Workers, Culture Matters Anthology.


2019    Outlandish, Jo Clement and Damian Le Bas (New Writing North with Arts Council England).                            Illustrated by W. John Hewitt.

            ‘Inheritance’ and ‘Peg Man’, The Rialto, (Summer).  

2018    Poems After The Blaydon Races, The Shipley Art Gallery Centenary, (Gateshead Council with Tyne                    and Wear Archives and Museums). Editor.

            ‘The Bull’s Shadow’, Mythologies, (Indigo Dreams).

2017    ‘Manes’, Steps in Time smartphone application, (Newcastle Centre for the Literary Arts).

            ‘Lolcatz’, What She Knew: Writers Respond to Lydia Davis, (Papaya Press).

            ‘Wonderful Fish’, Inspiring Futures, (Indigo Dreams).

            Fishing for Answers: Angling and the River Tyne, ERSC, Northumbria University.

2016    ‘The Impression of Water’, Printmaking Today, 100th Edition, Vol. 25. No.4, (Winter).
             The Walk Round Guide to Holy Island, poems by Jo Clement and drawings by Alexia Mellor,
             pamphlet for Northern Landscapes: Picture Poems exhibition, (Newcastle Poetry Festival).

2015     'Wood Picture', Birmingham Journal of Literature and Language, Vol. 7, (Feb).

2014    ‘Stores’, Write Around the Toon, (Newcastle Centre for the Literary Arts).

            ‘Receiver of Wrecks’, The Ofi Press, (Issue 38).      

            ‘House Sparrow’, In Flanders Fields, (Forward).

            ‘Footing’, Butcher’s Dog, Issue 4, (Autumn).

            ‘Three Poems’, The Black Light Engine Room, Issue 10.

            ‘Input’, Words to Birds, Digital Content, New Writing North.

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