Poetry &
Short Fiction

​

2022

​

• Debut Collection, Outlandish, (Bloodaxe Books).

• Three poems, Whose Heritage? Challenging Race and Identity in Stuart Hall’s Post-nation Britain, ed. Professor Susan Ashley and Degna Stone, (Routledge).

• 'Paisley', Poems on the Underground.

• 'Vardo', Start the Week, BBC Radio 4.

• 'Listen', Ake Dikhea, International Festival of Romani Film, RomaTrial, (Denkmal für die im Nationalsozialismus ermordeten Sinti und Roma Europas).

• 'Larch', Financial Times. 

• 'Wonderful Fish', North East Living.

• 'Travelling Light', Poetry London.

• 'sexing the bones', A Hut A Byens, (Bamburgh Heritage Trust).
   

​

2021

• 'Existence', Roma Biennale. 

• Editor, Wagtail: The Roma Women’s Poetry Anthology, (Butcher's Dog Publishing). 

• Essay, ‘Poetry as Patrìn’, Why I Write Poetry, ed. Ian Humphreys (Nine Arches Press).

• Out of Time: Poetry from the Climate Emergency, (Valley Press).

• ‘Kow’, Enchanted Isle Short Works Series, (BBC Radio 4).

• Sensitivity reader: Edinburgh University Press and Poetry London.
   

2020   

• ‘Angling’, (BBC Your Local Arena and New Writing North.)

• ‘Ironwork: V&A’, The Dark Horse, Issue 42.

• Moveable Type, (New Writing North with Arts Council England). 

• Witches, Warriors, Workers, (Culture Matters).

​

2019   

• 'The Traveller Road to Holy Island', Outlandish, Jo Clement and Damian Le Bas (New Writing North with Arts Council England). Illustrated by W. John Hewitt.

• ‘Inheritance’ and ‘Peg Man’, The Rialto, (Summer).  
   

2018   

• Editor, Poems After The Blaydon Races, The Shipley Art Gallery Centenary, (Gateshead Council with Tyne and Wear Archives and Museums).

• ‘The Bull’s Shadow’, Mythologies, (Indigo Dreams).
   

2017   

• ‘Manes’, Steps in Time, smartphone application, (Newcastle Centre for the Literary Arts).

• ‘Lolcatz’, What She Knew: Writers Respond to Lydia Davis, (Papaya Press).

• ‘Wonderful Fish’, Inspiring Futures, (Indigo Dreams).

• Fishing for Answers: Angling and the River Tyne, ERSC, Northumbria University.
   

2016   

• ‘The Impression of Water’, Printmaking Today, 100th Edition, Vol. 25. No.4, (Winter).

• The Walk Round Guide to Holy Island, poems by Jo Clement and drawings by Alexia Mellor, pamphlet for Northern Landscapes: Picture Poems exhibition, (Newcastle Poetry Festival).

​

2015     

• 'Wood Picture,' Birmingham Journal of Literature and Language, Vol. 7, (Feb).
   

2014   

• ‘Stores’, Write Around the Toon, (Newcastle Centre for the Literary Arts).

• ‘Receiver of Wrecks’, The Ofi Press, (Issue 38).      

• ‘House Sparrow’, In Flanders Fields, (Forward).

• ‘Footing’, Butcher’s Dog, Issue 4, (Autumn).

• ‘Three Poems’, The Black Light Engine Room, Issue 10.

• ‘Input’, Words to Birds, Digital Content, New Writing North.